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A pendant that carries the full weight of an empire. This extraordinary piece dates to the Austro-Hungarian Empire (1867–1918), an era when jewelers considered bare metal an unfinished thought. Turn any authentic piece over and you will find the back as elaborately hand-chased and decorated as the front, and this one is no exception.
Silver was the dominant metal of the period, prized as a strong structural base for the heavy, ornate pendants and necklaces that defined the aesthetic. Renaissance-inspired design is a hallmark of the era, and it is unmistakable here in the open scrollwork that frames the face of the pendant — deeply patinaed to a rich, gothic darkness that throws the soft colors of the stones into vivid relief.
The natural turquoise cabochons carry that wonderfully aged, multicolored quality only old stones possess. The glowing ivory of the pearls and the luminous mother of pearl plaques contrast beautifully against the dark metalwork — light against shadow, organic warmth against architectural structure. The back retains its heavy patina but responds readily to a polishing cloth, allowing you to bring it to a soft silver-grey if you prefer.